Playing God

Playing God

By Lavinia Plonka

California Style Magazine stares up at me from the coffee table in my hotel room. It features a parade of impossibly tall, thin women with sculpted faces and futuristic Barbie hairdos. Like the almost human androids in the movie Blade Runner, these women seem perfectly crafted facsimiles of various iterations of Venus. Which brings me to musing about creation, evolution and mythology. 

Darwinism tells us that humans evolved over time. Mythology tells us that humans were crafted: from dirt, mud, clay, ashes, blood, spit and more. This reminds me of a childhood attempt to craft a city out of mud in my backyard. I was about four years old. No matter how I mounded the lumps, they kept looking like blobs instead of some fabled kingdom. In a moment of artistic inspiration, I went inside and took a few glasses from the kitchen, filled them with mud and began tapping out towers, condos, turrets, even a fortress. My architectural masterpiece would have been brilliant had I not tapped too hard with one of the glasses. It shattered in my hand, cutting me in several places. When I ran crying to the house, my Mother freaked out and started screaming. My city remained unfinished, and my architectural career was over, a memory forever etched in mud and blood.

The Mayan gods actually had to keep recreating humans because of poor choice of materials. First, the people they made out of mud dissolved in a flood. I can hear the gods now. “OK, who proposed the mud idea?” All the gods look down at their feet, which at the moment feel like clay.

“Harry thought it was a good idea.” 

“Really Harry, what were you thinking?”

“Well, I knew the budget was tight, I was trying to get it done quickly.

It worked over in Mesopotamia.”

They then tried wood, but the humans burned up in a fire. They finally got it right by creating humans out of corn.  This triggers a disturbing thought. What if we are indeed “Children of the Corn” (with apologies to Stephen King)? Perhaps that’s the reason that corn is currently taking over the world. Michael Pollan has proposed in his book, Botany of Desire that plants have been manipulating us all along, seducing us with beauty and nourishment to help them spread. Could Monsanto’s efforts to “craft” a new, powerful, invulnerable corn that will irrevocably alter our DNA (if we survive) be part of corn’s master plan? Just kidding. Sort of. 

Back to crafting humans. Another prerequisite in many cultures’ mythology is that the gods create beautiful creatures, in fact like the gods themselves. In a Navajo story, the gods had issues with their handiwork. They had sloppily crafted people with animal teeth, claws instead of feet and to add insult to injury, these proto-humans smelled bad. A paleontologist’s delight! 

Current AI technology is getting closer to crafting the androids we saw in Blade Runner, and in the TV shows Humans and Better Than Us. Yet all these celluloid androids really just want to be human, like Pinocchio. Simultaneously, we humans are moving more towards becoming . . . something else. The technology of limb and organ replacement is advancing rapidly. Scientists, theologians and philosophers are busy in their ivory towers discussing how many body parts can be replaced before one is no longer human. And why stop at simple replacement? What stands in the way of becoming superhuman? Why not include a super computer in the brain? How about hands that crush steel instead of merely being able to hit “send?” What about eye replacements that can see infrared, UV, night vision? Lungs that can breathe toxic air, stomachs that can digest myriad variations of corn? The possibilities are endless. Between enhancements and replacements, it is predicted that the human of 2030 will be unrecognizable to us. 2030! Perhaps unwittingly we are creating our own replacements. 

Scientists have already created a “bionic man.” They have taken prosthetics and various organ replacements from around the world and constructed a creature, not functional yet, but getting close. Perhaps all he needs is a jolt of some kind, like Frankenstein’s monster, to walk the earth.  

In Greek Mythology, Prometheus and Epimetheus were put in charge of creating humans. They used the creation material of choice: mud and clay. Prometheus assigned Epimetheus the task of giving the creatures of the earth their various qualities, such as swiftness, cunning, strength, fur, wings. Unfortunately, by the time he got to man Epimetheus had given all the good stuff out and there was none left for man. So Prometheus decided to make man stand upright as the gods did and then give them fire. Things didn’t go so well for Prometheus after that, but humans have been using fire for craft, both culinary and artistic,  ever since.  

A popular gangster saying regarding departure from earthly life is, “It’s time to meet your maker.” When that opportunity arrives for me, I’ll have a few design suggestions for the craftsperson responsible for making me that scientists have probably not considered.

My wish list: 

Eyes on the back of my head.

Retractable, functional wings.

Removable arms so I can sleep

comfortably on my side. 

Invisibility by choice. 

A pouch like kangaroos have so I don’t have to always carry a purse.

A Daryl Hannah hairdo that never needs maintenance.

The question remains. If in the future, we have limitless options on not only how to be, but what to be, who will we be? Will the constructions of the future look towards us ordinary humans as their creators? Will un-enhanced humans be viewed with scorn and pity? Millions of years from now, will there be a whole new set of creation myths? From where I sit, it looks to be a brave, new world indeed. 

Body language expert, Lavinia Plonka has taught The Feldenkrais Method for over 25 years.

For more information, visit her at laviniaplonka.com

Forget About It

Forget About It

By Lavinia Plonka

Scarecrow “They took my arm and they threw it over there!
And then they took my legs and threw them over there!”

Tin Man “That’s you all over.

My first vivid memory of forgetting was from age eight. My mother and I were at a discount outlet diving into bins of underwear like pirates into a treasure chest. “Mine, all mine.” I clutched all the new panties my chubby fingers could grab. Never again would I worry about being in a car accident and having the hospital staff cluck over my ragged briefs. I could move on to more weighty subjects like ending the Cold War or how I could con my father into more spare change so I could win the “Mission Money” collection contest and get a glimmer of approval from Sister Giovanni.

As we stood at the check out, my mother gave me a rare smile, clutching her lace trimmed slip with the adjustable straps. Then suddenly, she hissed, “Where is your pocketbook?” In the orgy of new lingerie, I had misplaced my first, my best, my only pocketbook, a red patent leather fantasy with a cool clasp that you turned. The blood drained from my face. I had $3.00 in that purse. My mother tore out of the line, dragging me back through disgruntled women who were busy burying themselves in discounted blouses. We tore the underwear bin apart. Looked through all the socks. Tears streaked my desperate face. This was it. I’d never have a pocketbook again. Let alone cash. A woman approached us, holding my purse. “Did you lose this, little girl?” she asked kindly. My mother thanked her profusely and turned to me. “What are we going to do with you? I swear you’d forget your head if it wasn’t attached!”

Since then, I have left my purse at parties, in shopping carts, in cabs and in restaurants. I rack my brain to try to retrace my steps, to remember where it may have gone astray. When finally I remember, it is a vivid experience, as if suddenly everything has come together. Like the Scarecrow, my parts were scattered, and now I’ve reconnected the neurons that keep my thoughts together, my head on my shoulders, my purse beside me.

A woman’s purse is like a limb, sometimes even forming a hollow in the shoulder from the years of hauling apparently unnecessary things. Then comes that moment when someone says, “Does anyone have a nail file, band-aid, lozenge, mint, hairbrush, tampon, aspirin, pen, the Yellow Pages, a map of the NYC Subway system, the original eight track of Helen Reddy’s, I Am Woman, the solution to the world energy crisis?” And you casually root around in your purse, muttering something like, “I think I have one in here somewhere,” producing the requested item to the delight and surprise of onlookers. Unfortunately, this magic does not work when you are looking through the same collection of items for your keys as the rain is pouring down, a strange man has followed you into the parking lot, and one of the bags is starting to tear.

When I have the opportunity to travel somewhere without my purse, there is inevitably a moment where I stop dead, trying to figure out what’s missing. What have I forgotten? And sometimes, I have my purse, but I’m so used to carrying it, that I forget it’s there. “Oh my god, I forgot my… oh, heh heh, here it is.” Men are no exception to this phenomenon. I’ve watched my husband Ron ransack the house looking for the glasses perched on his head.

Neuroscientists are always poking around in our heads trying to find our memories. Some speak about the functioning of the amygdala, a tiny little part of the brain that seems to store the unforgettable memories. I’ve hoped that I could delete some of my old memories so that there might be room on that little hard drive for remembering names of people I meet and recent conversations. Surely there is no reason to keep remembering the time I forgot about a concert engagement and got a call from the stage manager asking me where I was.

Muscle memory is bandied about as the reason certain habits don’t quit, like the limp that remains years after a sprained ankle. I once had a client whose ribs were held as tightly as armor. All attempts to introduce movement came to a dead end.

“It’s muscle memory,” she announced.

“Oh, were you injured there?” I asked.

“No, it’s from the corset.”

“Corset?”

“In my last life, I had to wear a corset. It was during the nineteenth century you see.”

I can’t remember where I put my keys, and she can remember her last life. Where is the fairness in this? Then again, I’d hate to imagine the state of her amygdala.

When I was a girl, I had no idea that my Mother, who had survived capture by the Nazis, had PTSD. Neither did she, since we’d never heard of it. I did not understand that certain triggers catapulted her brain’s hard drive into replaying scenes from the war. Whenever my father was even a minute late from work, no matter what the weather, she’d grab her purse and start walking the streets looking in the gutters for his dead body. When my Father came home minutes later, he would launch into violent cursing as he tore out of the house looking for her. One day, we hid her purse. She tore the house apart, then collapsed on the couch. Instantly, my seven-year-old sister, my two-year-old brother–who thought it was a marvelous game, and I jumped on her, pinning her to the couch. “Where is my pocketbook?” she wailed. “What have you done with my pocketbook?” By the time my father got home, five minutes later, we were all sobbing on the couch. To her dying day, she never went anywhere without her purse.

The worst is when I forget myself. It can happen at any moment. I’ll be driving and suddenly I’m at my office, when I was just going to the supermarket. Or I’m walking along a beach, so deeply in conversation with an imagined adversary that suddenly I say out loud, “I really don’t think so,” just as I pass an elderly man who looks at me pityingly. In those brief moments of awakening, I experience clarity, like the moment I remembered where I left my purse. Except in this case, it wasn’t my purse that got forgotten somewhere, it was me. My thoughts are scattered all over, and then whoosh! Everything comes back together, I am re-membered. I grope in my purse for my notebook to jot down this trope of enlightenment. My wallet is not in my purse. I forgot it on the kitchen counter.

Thank goodness that at the bottom of my pocketbook is at least $4.00 in change from the time I forgot to properly close my change purse. . .

Body language expert, Lavinioa Plonka has taught The Feldenkrais Method for over 25 years.
For more information, visit her at laviniaplonka.com

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